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Active Liberty Institute Cultural Centre Inaugural Party

6 May


The Active Liberty Institute, a Clinton Global Initiative partner, hosted its inaugural fundraiser to provide a platform for young artists from underdeveloped countries to show their works in New York. The Party was hosted at Phillips de Pury & Co, in conjunction with their spring contempary art sale inclduing th collection of Halsey Minor.

Sawdust Mountain – Eirik Johnson at Aperture Foundation

20 Apr

Eirik Johnson: Sawdust Mountain focuses on the tenuous relationship between industries reliant upon natural resources and the communities they support. Timber and salmon are the bedrock of a regional Northwest identity, but the environmental impact of these industries is increasingly at odds with the contemporary ideal of sustainability.

Size DOES Matters at FLAG Art Foundation

24 Mar


The FLAG Art Foundation invited Shaquille O’Neal to curate a show exploring the notion of size in the current exhibition Size DOES Matter.

The 7’1 Basketball star wears many hats, including athlete, rapper, actor, and now curator.
This show is truly amazing, the bluechip artists, the dynamic tension of the small and large, the space perception and the juxtapositions. Bravo Shaq!!


Robert Therrien (Table and 6 Chairs), Maurizio Cattelan’s Untitled Elevators


Richard Phillips, Lisa Yuskavage, Don Brown,

Other featured artists included Canadian heros Evan Penny, Brian Jungen, as well as major artists who work in scale like Chuck Close, Andreas Gursky, Thomas Ruff, Kehinde Wiley.

The comprehensive catalogue was written by author James Frey, who co-owns the Half Gallery and has written extensively on contemporary art.

Appraisers Association of America Honours Thomas Krens

23 Apr

On April 21 The Appraisers Association of America honoured Thomas Krens, Guggenheim Senior Advisor for International Affairs.

The award was presented by Jeff Koons, who gave a very sincere and warming introduction about his relationship with Krens. Koons gave a sweet nod to Krens as a visionary the art world as well as a compassionate friend, making sure to emphasize that chit-chat is definatly not his forte.
Thomas Krens joined the Guggenheim in 1988 and revolutionized the museum structure with brand expansion into markets such as Venice, Las Vegas, pinnacle Bilbao which revitalized the Basque region in Spain. Krens accepted the award, and followed with a persuasive presentation on the current development of the Guggenheim Abu Dahbi project, and the entire preposed arts and culture island of Sherga.

Fashion Houses and Art

18 Mar

It is not a secret that there is a relation between fashion and art. What is becoming a dominant trend is the obvious unions of great fashion houses with contemporary artists.

In collaborations, as seen when fashion designer Marc Jacobs assumed creative direction of Louis Vuitton, hiring Takashi Murakami to design the prints for the 2005 Spring/Summer collection. An recent collaboration with painter Richard Prince for this season 2008 collection

We have also seen Michael Elmgreen and Ingmar Dragset who combine fashion and installation art, with the conception of Prada Marfa. They constructed a Prada store front in the middle of nowhere (in Marfa Texas).
Going nowhere to see Artist talk about fashion, versus the most recent phenomenon, Art going everywhere sponsored by Fashion. Major fashion houses like Chanel and Hermes are creating artpods, enclosed traveling exhibitions touring the world to promote art.

David Lynch The Air is On Fire

30 Jan

Foundation Cartier presents The Air is On Fire, the first and unique exhibition of paintings and artworks created by the celebrated cult film maker David Lynch.


The exhibition was massive, and divided into rooms according to media. The main floor was dedicated to massive paintings which incorporated paint, clothing, found objects, and at times human waste into a life size ground positioning the viewers in the midst of a conflictual moment. The use of text as dialogue narrated the paintings hinting to a distorted surreal massive film still.

The basement housed dark errie massive support, with nearly black abstracted paintings. My favorite was titled “She wasn’t fooling anyone, she was hurt and she was hurt bad”, he chose to write the titles on the black beams which held draped cavases which worked as the supports for the paintings.
Of course, as a film maker, a room dedicated to photos that were iconically Lynch in his full glory. Sultry women with red lips, abandoned factory interiors, moody obscured living rooms. The most impactful series were photos taken of Snowmen in middle American suburbia. A grey and ominous ambiance to the triste photos lacking contrast, haunting and sincere, like faded memories of a youth past.

Tabaimo at Fondation Cartier

21 Jan

At Foundation Cartier, Tabiamo uses videos and narrow space to reconfigure the gallery into the interior of a Japanese commuter train. The layout of the space, films projected onto the walls, gives the participatory sensation to the viewer of actually being a passanger in the hallucinatory train.

As the landscape streams past in the windows, passengers board and disembark, strange things begin to happen. People sleep, disembodied hands fly through the train compartments, giant sushi roll through the wagon, riders get chopped up by chefs and rolled into makis.

Tabiamo uses her films and animations as a satyre on typical Japanese cliches of sushi, suicidal business men, and efficiency in motion.

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